writing

  • Review: The Empty Room by Brian McGilloway

    Brian McGilloway’s earlier work, The Last Crossing, published in 2020 and nominated in 2021 for Theakston’s Old Peculier Crime Novel of the Year Award, was his first standalone novel, departing from his established, and bestselling, Lucy Black and Benedict Devlin series. That book was a beautiful, devastating story of regret and revenge caught in a…

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  • Review: A Cosmology of Monsters by Shaun Hamill

    When I got wind of Shaun Hamill’s, ‘A Cosmology of Monsters’, I said it looked, “so far up my street, I might already be living there.” Well, I’ve walked through his haunted house and out again and—while I genuinely loved the experience—I’m glad I don’t really live there, because it’s really fucking scary. This is…

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  • I know what scares me.

    I know what scares me.

    I attended a lot of panels on horror at Worldcon in Dublin last year. Some were focused on themes, like body horror, but most were focused on publishing. “Don’t call it horror,” was the basic gist of most of those talks. Horror “in-the-mix” was key to not putting the punters off. Say Grimdark. Call it…

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